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While trying on clothes as a kid, I liked to put things on in unconventional ways. This shows in my design process as I use a skirt design to make a dress





This direction moves beyond interpreting finjan—I become both maker and surface. Inspired by my grandmother and the finjan ritual, the stain becomes the fortune





This direction explores adornment as armor—rooted in the richness of my culture. Constructed through repetition, density, and labor,
materials are pierced, drilled, and hand-assembled into a protective structure










